There were two exhibits that I found thrilling on my first visit to the ICA (Institute of Contemporary Art). The first was
Some Pictures of the Infinite by with
Josiah McEhleny. In a large room, there were gigantic galaxy-like chandeliers that hung from the ceiling. The highly stylized planets, stars and galaxies were mesmerizing to walk around in and see various reflections in the shiny mirrored materials.
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The Center Is Everywhere by Josiah McEhleny
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Another aspect of McEhleny's exhibit was the sculptural and performance piece called the
Infinite Repetition of Revolt, performed by Maggie McBrien. While McBrien stands planted in front of a blackboard like structure with silver drawings of boxes, she poses the question of how revolt should be pursued – lead by a small group of trailblazers or built on consensus? She turns around and erases all remnants of the silver boxes and leaves a black reflection of us, the audience's faces.
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Infinite Repetition of Revolt Performance by Maggie McBrien |
A few months ago, there was a lot of outcry from the Boston public regarding a mural painted at Dewey Square because people interpreted it as the main figure as a terrorist by the Brazilian artist duo,
Os Gemeos. To me, I see a vivid painting of a boy with a shirt wrapped around his head in a playful manner.
What do you think?
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By Os Gemeos |
This mural complimented the full exhibit of paintings, sculptures, and interactive sound organ that was on display at the ICA. The Os Gemeos style has an underground graffiti-tone that is also playful, whimsical, and bright – like they are throwing a Carnival party with their artwork. Os Musicos was a sonic sculpture that had a piano or organ placed in front of a wall of yellow painted speakers. Apparently, each key creates an analog sound that pumps through the speakers. I missed the performance and couldn't convince the Gallery Docents to let me bang on the keys to see what sounds came out.
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Os Musicos |
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